Monday, January 14, 2013

Schindler's List

Maestro Guillermo Figueroa @ Congregation B'nai Israel: As Abq Jew has mentioned  in The Big Event 2013 and Shostakovich: Piano Trio No 2 in E Minor (and may mention a few more times), “An Evening with Maestro Guillermo Figueroa”  at Congregation B'nai Israel on January 20 will provide an evening of beautiful music and fine dining for Albuquerqueans.


The concert program will feature the Theme from Schindler's List by John Williams. Wikipedia (of course) provides some background on this film, from which the following has been adapted.
Schindler's List is a 1993 epic drama film directed and co-produced by Steven Spielberg and scripted by Steven Zaillian. It is based on the novel Schindler's Ark by Thomas Keneally, an Australian novelist. The film tells the story of Oskar Schindler, a German businessman who saved the lives of more than a thousand mostly Polish-Jewish refugees during the Holocaust by employing them in his factories. It stars Liam Neeson as Schindler, Ralph Fiennes as Schutzstaffel (SS)-officer Amon Göth, and Ben Kingsley as Schindler's Jewish accountant Itzhak Stern. John Williams composed the score.
Schindler's List premiered on November 30, 1993 in Washington, D.C. and it was released on December 15, 1993 in the United States. Regarded as one of the greatest films ever made, it was a box office success and recipient of seven Academy Awards, including Best Picture, Best Director, and Best Original Score, as well as numerous other awards (seven BAFTAs, three Golden Globes). In 2007, the American Film Institute ranked the film 8th on its list of the 100 best American films of all time (up one position from its 9th place listing on the 1998 list).



About the music, Wikipedia says:
John Williams composed the score for Schindler's List. The composer was amazed by the film, and felt it would be too challenging. He said to Spielberg, "You need a better composer than I am for this film." Spielberg responded, "I know. But they're all dead!" Williams played the main theme on piano, and following Spielberg's suggestion, he hired Itzhak Perlman to perform it on the violin.

In an interview with Perlman on Schindler's List, he said: "I couldn't believe how authentic he [John Williams] got everything to sound, and I said, 'John, where did it come from?' and he said, 'Well I had some practice with Fiddler on the Roof and so on, and everything just came very naturally' and that's the way it sounds."

Interviewer: "When you were first approached to play for Schindler's List, did you give it a second thought, did you agree at once, or did you say 'I'm not sure I want to play for movie music'?

Perlman: "No, that never occurred to me, because in that particular case the subject of the movie was so important to me, and I felt that I could contribute simply by just knowing the history, and feeling the history, and indirectly actually being a victim of that history."
In the scene where the ghetto is being liquidated by the Nazis, the folk song Oyfn Pripetshik (or Afn Pripetshek) (Yiddish: אויפֿן פּריפּעטשיק)" is sung by a children's choir. The song was often sung by Spielberg's grandmother, Becky, to her grandchildren. The clarinet solos heard in the film were recorded by Klezmer virtuoso Giora Feidman. Williams won an Academy Award for Best Original Score for Schindler's List, his fifth win.
And the Girl in the Red Coat? Wikipedia tells us:
While the film is shot primarily in black-and-white, red is used to distinguish a little girl in a coat (portrayed by Oliwia Dabrowska). Later in the film, the girl appears to be one of the dead Jewish people, recognizable only by the red coat she is still wearing. Although it was unintentional, this character is coincidentally very similar to Roma Ligocka, who was known in the Kraków Ghetto for her red coat. Ligocka, unlike her fictional counterpart, survived the Holocaust. After the film was released, she wrote and published her own story, The Girl in the Red Coat: A Memoir (2002, in translation).
The scene, however, was constructed on the memories of Zelig Burkhut, survivor of Plaszow (and other work camps). When interviewed by Spielberg before the film was made, Burkhut told of a young girl wearing a pink coat, no older than four, who was shot by a Nazi officer right before his eyes. When being interviewed by The Courier-Mail, he said "it is something that stays with you forever."
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The Los Angles Times yesterday published this memorable obituary:

Leon Leyson dies at 83;
youngest survivor on Schindler's List
Leyson was one of the 1,100 Jews saved from the Nazis by German industrialist Oskar Schindler. He taught school in Huntington Park for 39 years and shared his survival story with others.
Among the 1,100 Jews saved from the Nazis by German industrialist Oskar Schindler was an emaciated 13-year-old boy named Leon Leyson, who had to stand on a box to reach the machinery in the Krakow factory where Schindler sheltered him and his family.
The boy Schindler called "Little Leyson" survived the Holocaust to start life over in Los Angeles. He taught high school in Huntington Park for 39 years, rarely mentioning to anyone the pain and perils he experienced during the war that claimed the lives of 6 million Jews.
"The truth is, I did not live my life in the shadow of the Holocaust," [Leyson] told the Portland Oregonian in 1997. "I did not give my children a legacy of fear. I gave them a legacy of freedom."
Leyson saw Schindler for the last time in 1974, just before the man regarded as a savior of Jews died. Schindler was on a visit to L.A. and Leyson joined the group of Jews who greeted him at the airport.

He started to introduce himself, but found it wasn't necessary.

"I know who you are," Schindler said, grinning at the middle-aged man before him. "You're Little Leyson."

Friday, January 11, 2013

Excuse (The Cat)

Candan Erçetin - Kedi:  Once upon a time (before greyhounds), Mr and Mrs Abq Jew were cat people. And we still love and appreciate cats, even though (cynics would say especially since) we are not currently living with any.

It's Erev Shabbat. There's snow in Jerusalem. And Gergedan (see The Powerful Sun, Sophie Milman; Indifference; Circus of Pain) once again offers a soothing aural and visual way to go into Shabbat and the weekend.

Once again Gergedan, about whom Abq Jew knows just a bit more than he did before! Back in November and October and June and February, Abq Jew wrote:

Abq's Chopper the Baby Rhino

And there's Gergedan (Turkish for rhinoceros), a creative entity of unknown origin, derivation, or any form of address that seems to have produced a series of artistically stunning music videos.
Do you know Gergedan?  Inquiring minds (and minds like Abq Jew's) want to know! In the meantime, visit GergedanFilKedi's YouTube channel
Since then, Abq Jew has heard from Gergedan, who reports:
My name is Mete, I'm 45 and I'm from Istanbul, Turkey.

For me, music (and art in general) has always been a perfect bridge to discover other cultures. And when I share what I discover with everyone who visits my page, I feel we are all in contact with each other for the same beautiful thing. Different people from different cultures can understand and love each other through music.
Even if they don't understand their languages they can still feel something common around the same song. And this can help them be more open minded people. I'm just trying to show them the way. Your [laudatory] message, like many others, is the proof that I'm not in the wrong direction.
Here, for your Shabbat enjoyment, is Candan Erçetin - Kedi.


Abq Jew was even able to come up with a translation (via LyricsTranslate.com). Dedicated to cats and their people everywhere!
Excuse (The Cat)

It's not me, the one missing you, it's the cat
It asked me for calling you to come back
It's not me, the one missing you, it's the cat
It asked me for calling you to come back

You're said to have loved it so much
Couldn't get enough of kissing it again and again
You're said to have slept by hugging it
Well, how can it be able to not missing you?

It is said to have also loved you so much
By your side during bad times
Also happy about your joy
Don’t you miss it?

It was not me, the one wanting your departure, it was the cat
The cat itself said to me later on that it's regretting
It was not me, the one wanting your departure, it was the cat
The cat itself said to me that it's regretting so much

You know very well, this cat loved you without any expectations
It was perhaps a little selfish like every other cat

Come on, admit it too
It was also a little your fault
Come on, say that you can't stand it any more
This cat shouldn't wait for you so long
This cat shouldn't keep on missing you so much 
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Shabbat Shalom, Albuquerque!
Good Shabbos, New Mexico!

Thursday, January 10, 2013

Shostakovich: Piano Trio No 2 in E Minor

Maestro Guillermo Figueroa @ Congregation B'nai Israel: As Abq Jew has mentioned  in The Big Event 2013 (and may mention a few more times), “An Evening with Maestro Guillermo Figueroa”  at Congregation B'nai Israel on January 20 will provide an evening of beautiful music and fine dining for Albuquerqueans.


The concert program will feature the Piano Trio No 2 in E Minor (Opus 67) by Dmitri Shostakovich. Wikipedia (of course) provides some background on this composition, from which the following has been adapted.
Dmitri Shostakovich wrote this Piano Trio in 1944, in the midst of World War II. 
The composition was dedicated to Shostakovich's good friend, Ivan Sollertinsky, a Russian polymath and avid musician, who had recently died at age 41.
The work received its premiere in Leningrad on 14 November 1944. 
The piece consists of four movements:
  1. Andante.  Highly dissonant, it begins with an incredibly difficult passage in the cello, all harmonics. The rest of the movement is a mad fugue, requiring incredible amounts of technical prowess from all three instruments
  2. Allegro con brio.  A frenzied dance that never finds a settling place
  3. Largo.  Against a repeated background of piano chords, the violin and cello trade off dark, slow, and somber melodic lines. It fades into the last movement with hardly a break.
  4. Allegretto.  Staccato repeated notes begin this "Dance of Death" movement, which introduces a Jewish-style melody, and revisits the thematic content of the previous three movements. It ends in a tortured E Major chord, almost inaudibly.
To give you a prehearing (preview does not appear to be the right word here), here is the fourth movement of the Piano Trio. The performers are Oleg Kagan (Violin) and Sviatoslav Richter (Piano); and lehavdil Natalia Gutman (Cello).



By August of 1944, Russian troops had liberated some of the Nazi death camps - and news about the Holocaust had started to spread. Shostakovich was very grieved.

He wrote the final two movements of the Piano Trio as an elegy to the Jews killed in the Holocaust, and uses Jewish folk music as thematic material for this very moving ending.

In her book Shostakovich: A Life Remembered, Elizabeth Wilson  writes
The intonations of Jewish folk music appealed to the composer. As Shostakovich explained, ‘the distinguishing feature of Jewish music is the ability to build a jolly melody on sad intonations. Why does a man strike up a jolly song? Because he feels sad at heart.'
And if you'd like to hear Shostakovich himself perform this piece ... The Figueroa Project has just posted this video on their Facebook page!
 

Wednesday, January 9, 2013

Winter / Spring 2013 @ OASIS Abq

Great Courses @ OASIS:  You know about OASIS, right?  Abq Jew has featured OASIS Albuquerque on several occasions, and lists OASIS Abq courses of Jewish interest on his Learn/FiftyPlus page.

OASIS (as stated on the organization's website) is


 ... a unique educational program for adults age 50-plus who want to learn, grow and explore new ideas. We promote successful aging through lifelong learning, health programs and volunteer engagement. OASIS Albuquerque has just announced their Winter / Spring 2013 line-up of classes.

Registration is now open.

As usual, Executive Director Michael Nutkiewicz has made sure there are plenty of courses of Jewish interest.  This session's courses and instructors include:

Here I Am - No I'm Not! A Look at Moses & Jonah
Wed 06 February 2013 @ 10:30 am - #74

Instructor:  Deborah Brin
What It Is:  How are we to respond to the demands of our world and our own lives? Is Moses' response, "Here I am" right? Or how about Jonah's response, "Not me, I'm out of here"? In this class we will explore some biblical texts relating to Moses and Jonah to see what we can learn from how these two prophets responded to the Divine call.

The Magic & Mystery of e e cummings
Thu 07 February 2013 @ 10:30 am - #43
Instructor:  Norma Libman
What It Is:   One of the most intriguing poets of the early 19th century is e e cummings. We will look at his life as a writer and artist in a time of great cultural change in America. How did those changes influence his art? And did his unique take on the world influence other writers of his time? We will also decode his poetry so lines such as "next to of course god america i..." come into meaningful focus.

Human Free Will According to Religion & Science
Thu 14 & 21 February 2013 @ 10:30 am - #75
Instructor:  Paul J Citrin
What It Is:  There is much debate today over the question of whether humans truly have free will or are merely products of the way our brains have evolved. Using religious texts from around the world as well as some of the latest scientific research, we will seek a foundation on which to build our own conclusions.

Belief vs Behavior: a Christian Dilemma
Tue 19 February 2013 @ 10:30 am - #77
Instructor:  Hugh Horan
What It Is: Orthodoxy (right belief) is the core of Christianity, while orthopraxis (right behavior) serves as the basis for most other religions. Judaism speaks mainly of halakha, Islam of sharia -- both signifying the steps or path to take in daily life. By contrast, Christianity speaks more of creeds, things to believe. This has consequences: behavior can be observed, but articles of faith cannot always be proven. How did this difference emerge, and are there any signs of change today?

Ashes to Ashes, Dust in Your Face: Cremation & Comedy
Tue 19 February 2013 @ 1:00 pm - #11
Instructor:  Gail Rubin
What It Is: Everything you wanted to know about cremation and life planning but were afraid to ask! Gail Rubin, author of A Good Goodbye: Funeral Planning for Those Who Don't Plan to Die, teams with Merri Rudd, the author of New Mexico's self-authorization cremation law. Watch funny film clips, ask questions, laugh and learn!

Marriage & Divorce in the Old Testament
Wed 20 February 2013 @ 10:30 am - #78
Instructor:  Hilary Lipka
What It Is:  How is married women's sexuality treated in the Old Testament, and what can it tell us about what their lives might have been like in ancient Israel? Who was able to initiate divorce, and what would a woman's prospects be like after a divorce? We will answer these questions through close reading of biblical texts, focusing on what they reveal about societal attitudes towards and expectations of both married and divorced women regarding their sexuality.

Hello, Jerry! The Music World of Jerry Herman
Wed 20 February 2013 @ 1:00 pm - #54
Instructor:  Jane Ellen
What It Is:  "When they passed out talent," legendary actress Carol Channing said, "Jerry stood in line twice." Composer and lyricist Jerry Herman (1931- ) is responsible for some of Broadway's most enduring hits: Mame, La Cage aux Folles, and Hello, Dolly! His works belong to the Golden Age of Broadway musicals and can often be construed as overly optimistic; however, each one carries a timeless message of humanity's ability to triumph over despair, hatred, and prejudice.

One Million Bones - Studio Workshop
Wed 13 March 2013 @ 1:00 pm - #7
Instructor:  Susan McAllister
What It Is:  A studio workshop with One Million Bones, a project which utilizes hands-on art to raise awareness of genocides and humanitarian crises around the world. After a brief presentation, participants may join in discussion of situations in South Sudan, Sudan, Congo, Somalia, and Burma. During the conversation, everyone makes a replica human bone out of clay. These bones will be combined with others made by participants across the world and displayed on the National Mall in Washington, DC in June 2013.

The French Revolution, Napoleon, & the Jews
Tue 02 April (Pesach Day 8) 2013 @ 10:30 am - #36
Instructor:  Michael Nutkiewicz
What It Is:  The French Revolution set out to establish a constitutional democracy for all inhabitants of France. Yet the authors of the Declaration of the Rights of Man and of the Citizen asked whether Jews should be included as free citizens. When Napoleon came to power he submitted twelve questions to Jewish leaders to judge whether Jews were "ready" to enter the modern world. We will discuss the process of Jewish emancipation in the wake of the French Revolution.